Since my fiancee and I do art therapy work with the autistic, among our other gigs, we’re always looking for new art projects, and the best way to get new ideas is to page through print books of paintings and collages by the masters. So in our travels to the local thrift stores, we always keep our eyes open for good art books.
This past week we found one that also showcases stellar print book design, in addition to its fine arts content.
The Reclining Nude As Art
This is a book containing nothing but paintings of reclining nudes by all the master artists through the centuries. Entitled Reclining Nude, by Lidia Guibert Ferrara, at 8.75” x 12” this is already an interesting size, taller than usual for its width. Although this does not exactly match the “A” sizes common in Europe, it is still different enough from common US print book sizes to give this case-bound book a somewhat European feel.
Even before you get to the content, the physical design of the book is intriguing. First of all, the book has both a printed cover (a printed press sheet laminated to the binder’s boards) and a dust jacket. The book cover image is a duotone of a reclining nude printed in a metallic blue and black. (It is actually a “fake duotone,” since the metallic blue is a solid color and only the black printing plate is a halftone.)
Unlike most books, Reclining Nude has no writing on the front cover, although the title, author, and publisher are noted on the spine. This allows for the reader’s total focus on the image. This approach continues throughout the print book; that is, once the writer has presented the subject matter in the introduction, the following book pages have no text, except for artists’ names in small type next to the folios.
Even with no explanatory text, you can actually learn a lot from the sequence of nudes and their styles, ranging from the French Romantic approach of Delacroix to the surrealism of Magritte to Picasso’s Cubism and Wesselmann’s Pop Art. Only when you get to the very end of the book do you see the list of illustrations, noting the title of each piece, dimensions, medium, and location of the work. But as you turn the pages, you still learn the differences in the schools of art, their approach to brushwork, composition, line, and color. Even without descriptions and analyses–on a pre-verbal level—you understand the elements of design and the history of art as they work together in a creative response to the reclining nude.